萨乐美
影片信息
- 状态：已完结
- 主演：艾拉·娜兹莫娃/
- 导演：查尔斯·布莱恩特/艾拉·娜兹莫娃/
- 年份：1923
- 地区：美国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-03-15 08:35
- 简介： ☛影视工厂邀您共赴光影盛宴！本站收录《萨乐美》完整未删减版，即刻享受无障碍高清观影特权。 该经典力作自1923年美国震撼首播，由查尔斯·布莱恩特,艾拉·娜兹莫娃等知名导演联合操刀。更力邀影坛巨匠艾拉·娜兹莫娃等实力派演员倾情演绎，缔造影坛永恒传奇。剧情精粹：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.★ 全网独播多端适配：电脑端臻享4K画质，移动端秒速加载，跨设备实时同步记录，附赠百度云盘超清资源包。持有优质影视资源者，诚邀加盟影视工厂内容生态。进阶影迷推荐访问豆瓣解读文化内核，查阅百度百科深挖角色图谱，开启多维立体化观剧体验★
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剧情简介
☛影视工厂邀您共赴光影盛宴！本站收录《萨乐美》完整未删减版，即刻享受无障碍高清观影特权。
该经典力作自1923年美国震撼首播，由查尔斯·布莱恩特,艾拉·娜兹莫娃等知名导演联合操刀。更力邀影坛巨匠艾拉·娜兹莫娃等实力派演员倾情演绎，缔造影坛永恒传奇。剧情精粹：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.★
全网独播多端适配：电脑端臻享4K画质，移动端秒速加载，跨设备实时同步记录，附赠百度云盘超清资源包。持有优质影视资源者，诚邀加盟影视工厂内容生态。进阶影迷推荐访问豆瓣解读文化内核，查阅百度百科深挖角色图谱，开启多维立体化观剧体验★
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