倒计时
影片信息
- 状态：HD中字
- 主演：珍妮·艾加特/布莱恩·马歇尔/Clare Sutcliffe/西蒙·沃德/
- 导演：大卫·格瑞尼/
- 年份：1969
- 地区：英国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2025-03-15 09:09
- 简介： ☛影视工厂邀您共赴光影盛宴！本站收录《倒计时》完整未删减版，即刻享受无障碍高清观影特权。 该经典力作自1969年英国震撼首播，由大卫·格瑞尼等知名导演联合操刀。更力邀影坛巨匠珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德等实力派演员倾情演绎，缔造影坛永恒传奇。剧情精粹：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. ★ 全网独播多端适配：电脑端臻享4K画质，移动端秒速加载，跨设备实时同步记录，附赠百度云盘超清资源包。持有优质影视资源者，诚邀加盟影视工厂内容生态。进阶影迷推荐访问豆瓣解读文化内核，查阅百度百科深挖角色图谱，开启多维立体化观剧体验★
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剧情简介
☛影视工厂邀您共赴光影盛宴！本站收录《倒计时》完整未删减版，即刻享受无障碍高清观影特权。
该经典力作自1969年英国震撼首播，由大卫·格瑞尼等知名导演联合操刀。更力邀影坛巨匠珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德等实力派演员倾情演绎，缔造影坛永恒传奇。剧情精粹：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. ★
全网独播多端适配：电脑端臻享4K画质，移动端秒速加载，跨设备实时同步记录，附赠百度云盘超清资源包。持有优质影视资源者，诚邀加盟影视工厂内容生态。进阶影迷推荐访问豆瓣解读文化内核，查阅百度百科深挖角色图谱，开启多维立体化观剧体验★
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