简介:
☛影视工厂邀您共赴光影盛宴!本站收录《德拉克的回归》完整未删减版,即刻享受无障碍高清观影特权。
该经典力作自1968年其它震撼首播,由爱德华·格莱纳等知名导演联合操刀。更力邀影坛巨匠拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela Buckova,Jozef Cierny,Pavel Chrobak,米库拉斯·洛迪津斯凯,Ivan Macho,Ján Mildner,Andrej Mojzis,Jan Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan Mach等实力派演员倾情演绎,缔造影坛永恒传奇。剧情精粹:与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).★
全网独播多端适配:电脑端臻享4K画质,移动端秒速加载,跨设备实时同步记录,附赠百度云盘超清资源包。持有优质影视资源者,诚邀加盟影视工厂内容生态。进阶影迷推荐访问豆瓣解读文化内核,查阅百度百科深挖角色图谱,开启多维立体化观剧体验★
☛影视工厂邀您共赴光影盛宴!本站收录《德拉克的回归》完整未删减版,即刻享受无障碍高清观影特权。
该经典力作自1968年其它震撼首播,由爱德华·格莱纳等知名导演联合操刀。更力邀影坛巨匠拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela Buckova,Jozef Cierny,Pavel Chrobak,米库拉斯·洛迪津斯凯,Ivan Macho,Ján Mildner,Andrej Mojzis,Jan Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan Mach等实力派演员倾情演绎,缔造影坛永恒传奇。剧情精粹:与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).★
全网独播多端适配:电脑端臻享4K画质,移动端秒速加载,跨设备实时同步记录,附赠百度云盘超清资源包。持有优质影视资源者,诚邀加盟影视工厂内容生态。进阶影迷推荐访问豆瓣解读文化内核,查阅百度百科深挖角色图谱,开启多维立体化观剧体验★展开