电影 魔鬼的陷阱
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魔鬼的陷阱 HD中字6.0
6.0
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  • 魔鬼的陷阱

  • 片名:魔鬼的陷阱
  • 状态:已完结
  • 主演:Vítezslav Vejrazka/米罗斯拉夫·马哈切克/Cestmír Randa/Vít Olmer/Karla Chadimová/Vlastimil Hasek/Frantisek Kovárík/雅罗斯拉夫·毛奇卡/约瑟夫·赫利诺马兹/贝德里奇·卡兰/Jirí Belohoubek/Jirina Bílá/Monika Indingerová/Ladislav Kazda/Milan Kindl/伊里·弗斯塔拉/
  • 导演:法兰提塞·维拉席/
  • 年份:1962
  • 地区:其它
  • 类型:剧情/
  • 时长:内详
  • 上映:未知
  • 语言:其它
  • 更新:2025-03-15 08:23
  • 简介: ☛影视工厂邀您共赴光影盛宴!本站收录《魔鬼的陷阱》完整未删减版,即刻享受无障碍高清观影特权。 该经典力作自1962年其它震撼首播,由法兰提塞·维拉席等知名导演联合操刀。更力邀影坛巨匠Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉等实力派演员倾情演绎,缔造影坛永恒传奇。剧情精粹:In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.★ 全网独播多端适配:电脑端臻享4K画质,移动端秒速加载,跨设备实时同步记录,附赠百度云盘超清资源包。持有优质影视资源者,诚邀加盟影视工厂内容生态。进阶影迷推荐访问豆瓣解读文化内核,查阅百度百科深挖角色图谱,开启多维立体化观剧体验★
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